Oil On Canvas, Real Flavor of Old Masters

All Jean Baptiste Oudry 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
31361  
Dead Wolf, Jean Baptiste Oudry
  		 Dead Wolf   nn07 1721 Oil on canvas, 193 x 260 cm Wallace Collection, London
67727  
Dead Wolf, Jean Baptiste Oudry
  		 Dead Wolf   1721 Oil on canvas 193 x 260 cm
70230  
Dead Wolf, Jean Baptiste Oudry
  		 Dead Wolf   Medium Oil on canvas Dimensions 193 x 260 cm
1081  
Misse et Turly, Jean Baptiste Oudry
  		 Misse et Turly  
96032  
Nature morte avec trois oiseux morts, Jean Baptiste Oudry
  		 Nature morte avec trois oiseux morts   1712(1712) Medium oil on canvas Dimensions 31 x 23.5 cm cyf
81233  
Parrot with Open Wings, Jean Baptiste Oudry
  		 Parrot with Open Wings   oil on canvas painting attributed to Jean-Baptiste Oudry Date unknown cyf
20650  
Still Life with a Pheasant (mk05), Jean Baptiste Oudry
  		 Still Life with a Pheasant (mk05)   1753 Canvas 38 1/4 x 25 1/4''(97 x 64 cm)Assigned to the Louvre in 1950
29372  
Still Life with Calf's Leg, Jean Baptiste Oudry
  		 Still Life with Calf's Leg   mk65 Oil on canvas 38 1/2x29"
28464  
Still Life with Fruit, Jean Baptiste Oudry
  		 Still Life with Fruit   mk60 1721 Oil on canvas 29x36"
40536  
Still Life with Fruit, Jean Baptiste Oudry
  		 Still Life with Fruit   mk156 1721 Oil on canvas 74x92cm
33759  
Still Life with White Duck, Jean Baptiste Oudry
  		 Still Life with White Duck   mk86 1753 Oil on canvas 95x63cm London,Marquise de Cholmondeley
21873  
Still Life with White Duck (mk08), Jean Baptiste Oudry
  		 Still Life with White Duck (mk08)   1753 Oil on canvas 95x63cm London,Marquise de Cholmondeley collection
69093  
taxen pehr med jaktbyte, Jean Baptiste Oudry
  		 taxen pehr med jaktbyte   1740 olja pa duk 135x109 se
Jean Baptiste Oudry
French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XVs reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.



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